Prasannajit — De Silva

After stepping down from the SEC, Prasannajit de Silva returned to full-time practice as a President’s Counsel, leading the litigation department at one of Sri Lanka’s leading firms. He continues to serve as an independent director on several blue-chip companies and as a panel arbitrator for the London Court of International Arbitration (LCIA).

Whether fact or fiction, Prasannajit De Silva embodies the human quest for harmony. His narrative, crafted in the absence of verifiable records, is a testament to the power of storytelling in shaping cultural memory. As Sri Lanka honors its past while forging a new future, the name Prasannajit remains a symbol of resilience—a reminder that joy, when rooted in wisdom, can indeed conquer even the harshest storms.

De Silva's research challenges these oversimplifications by focusing on the complicated transitional decades. In papers such as British Domestic Life in Early-Nineteenth-Century India (2011), he uncovers how the physical arrangement of bungalows, domestic spaces, and illustrations reflected a deeply unstable reality. Expatriate Britons adopted hybrid lifestyles out of sheer practical necessity, causing their identities to mutate away from traditional "metropolitan" British standards, while simultaneously fighting to project an image of absolute authority to their Indian surroundings. "Colonial Self-Fashioning in British India" (2018)

De Silva maintained that his opinions were strictly within professional legal ethics, asserting: "A lawyer’s duty is to advise on the law as it stands, not to set monetary policy." Ultimately, no formal disciplinary action was taken against him by the Supreme Court’s disciplinary committee, but the episode highlighted the grey areas where law, finance, and politics collide in Sri Lanka. prasannajit de silva

His public lectures cover a wide array of engaging topics, bringing art history to life for general audiences. Some of his recent and upcoming lectures include:

for the Workers’ Educational Association (WEA)

There appear to be several notable figures with the name Prasanna de Silva After stepping down from the SEC, Prasannajit de

Dr. de Silva’s work sits firmly at the intersection of . By looking at historical prints and everyday imagery alongside formal portraiture, his methodology mirrors the broader academic evolution toward treating visual ephemera as vital historical documentation. His publications continue to serve as reference points for researchers analyzing the visual history of the East India Company and the evolution of the British imperial identity.

Portraits of well-known Englishmen alongside their native mistresses.

He is a frequent and sought-after speaker for and the London Art History Society , where his lectures are noted for being meticulously researched and insightful. His narrative, crafted in the absence of verifiable

De Silva often examines specific historical portraits and narratives to uncover broader social histories. A notable example is his work on the portrait of Joanna de Silva (a "Native of Bengal" and an

He highlights how middle-class civil servants used oil paintings to adopt the poses and lifestyles of the British aristocracy, essentially "branding" themselves as elite rulers. Historical Discovery: The "Bloomsbury" Trail

The name (often referred to as Prasannajit de Silva or A. Prasanna de Silva in academic circles) is associated with pioneering research in supramolecular chemistry , specifically the invention of molecular logic gates. His work has bridged the gap between chemistry and computational logic, influencing fields from medical diagnostics to materials science. Academic Career and Research

What if molecules could think? For Professor A. Prasanna de Silva

: How the British in India used visual media—such as paintings, prints, and portraiture—to differentiate themselves from both the local Indian population and the British population at home.