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The album features poignant spoken-word commentaries on the gentrification and erasure of house music culture that demand vocal clarity.
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| Publication | Rating / Accolade | | :--- | :--- | | | #1 Album of 2009 in their staff poll | | Pitchfork Media | 8.5/10 | | AllMusic | Highly favorable review | | Fact Magazine | #17 Album of 2009 | | Electronic Beats | ★★★★★ (5 of 5 stars) |
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The essay of this album is written in its subtext. Tracks like "Ball'r (Madonna-Free Zone)" explicitly reject the mainstreaming of ball culture. Thaemlitz uses the music to remind the audience that the "blues" in the title are literal. It is a mourning for the lost spaces of Midtown New York and a protest against the "gentrification of the soul" that occurs when underground music is stripped of its political and social origins to be sold to a wider, often indifferent, audience. Conclusion