The is a long-running series of remix service compilations produced by Ultimix, specifically designed for professional DJs. Established in the late 1980s, the collection provides "DJ-friendly" versions of popular Urban, R&B, Hip-Hop, and Funk tracks, featuring extended intros, outros, and added beats to facilitate seamless mixing. Collection Overview Where to find Funkymix 315 and 316?
: Includes Raye's "WHERE IS MY HUSBAND!", Cardi B's "ErrTime (Rmx)," and YoungBoy Never Broke Again's "Shot Callin". Funkymix 311
DJs can choose based on the venue's requirements. FUNKYMIX COLLECTION
Jump ahead to 2005. The sound has shifted, but the commitment to quality remains. Funkymix 87 features tracks that blend hip-hop with R&B and pop, showcasing the growing overlap of these genres. Akon's soulful "Lonely," The Game's legendary collaboration "Hate It Or Love It," and Common's introspective "The Corner" are all present, remixed by a talented team including Dave Jackson, Mark Roberts, and Stacy Mier.
As the music industry shifted, so did the collection's formats and sub-genres: As of today I finally own the entire Funkymix collection! The is a long-running series of remix service
They achieve this by extending intros and outros (usually 8 or 16 bars of solid beats), adding drum loops, and sometimes stitching two songs together in a mash-up style. The goal is simple: For a DJ, this eliminates the anxiety of the "cold fade" found on radio edits. You can beatmatch these tracks in your sleep.
Funkymix bridges the gap between pop and club culture, taking songs that might be too slow or "radio-friendly" and turning them into peak-hour anthems. : Includes Raye's "WHERE IS MY HUSBAND
: Most tracks feature a 32-beat or 64-beat percussive intro and outro, allowing you to transition between songs without clashing vocals or complex melodies. Cue Points
The is more than a set of songs; it is a historical document of dance music's evolution. It captures the moment when black American funk met white European electronic production. It is loud, it is often illegal, and it is unapologetically groovy.
: Every remix is framed by clean 8-bar, 16-bar, or 32-bar percussion loops. This structural framing allows DJs to execute flawless transitions without overlapping conflicting vocals.