Suicideboys Discography [updated] 📥

The studio albums represent their transition from underground icons to mainstream stars, often focusing on themes of sobriety and mental health. I Want to Die in New Orleans

Their major-label debut, capturing the chaos of their rise to fame. 2. The "Kill Your$elf" Sagas

The bedrock of the $uicideboy$ discography is their multi-part EP series, Kill Your$elf . These short, punchy releases established their signature lo-fi, distorted aesthetic and sampling prowess. The Early Sagas (Parts I–X)

With a massive following, $uicideboy$ transitioned into releasing cohesive, full-length studio albums while continuing to release EPs. Suicideboys Discography

Raw, unpolished, heavily reliant on classic Three 6 Mafia drum patterns and eerie horror movie samples. The Mid Sagas (Parts XI–XV)

Suicideboys$ have collaborated with various artists, including:

Partnering with their G*59 labelmate Ramirez, these projects leaned heavily into classic 90s West Coast and Memphis phonk sounds. The "Kill Your$elf" Sagas The bedrock of the

EDM-producer Getter provided uniquely heavy, metallic beats. (2016-2023) High-energy, violent mosh-pit anthems across three volumes. G.R.E.Y.G.O.D.S. (2015-2016) Pure, unadulterated 90s Memphis rap revivalism. Shameless $uicide (2023) Smooth, bouncing flows blended with hard-hitting basslines. Evolution of Sound and Legacy

Following a brief hiatus and a journey toward sobriety, this album marked a triumphant return. The production is noticeably cleaner, utilizing richer melodies and jazz samples without losing the melancholic edge that fans love. "Matte Black", "New Profile Pic" Sing Me a Lullaby, My Sweet Temptation (2022)

), have built an underground empire. Since forming in 2014, they have redefined the boundaries of punk-rap, horrorcore, and cloud rap. Known for their prolific output, dark lyricism, and heavy, self-produced beats, their catalog spans dozens of EPs, mixtapes, and studio albums. Raw, unpolished, heavily reliant on classic Three 6

: An album exploring life after reaching the top, reflecting on sobriety, lingering trauma, and success. 4. Modern Era & Continued Prolificacy (2022–2025)

The standout is the absurdly popular “Carrollton” (a rework of an earlier beat), but the soul of the album is “Meet Mr. NICEGUY” and “King Tulip.” For the first time, Ruby da Cherry sang more than he screamed, revealing a gothic croon that added tragic romanticism to the violence.

Featured a more aquatic, cloud-rap atmosphere.