The Raid: Redemption was filmed entirely in Indonesian, with a predominantly Indonesian cast and crew. The use of Indonesian audio was a deliberate choice by the director, Gareth Evans, to create a sense of authenticity and realism. The film's dialogue, sound effects, and music were all recorded in Indonesian, which helped to immerse the audience in the world of the film.
When sourcing The Raid: Redemption with Indonesian audio, you will also notice a difference in the musical score.
In the years since its release, director Gareth Evans and fans have successfully pushed for the original Indonesian audio to be the standard way to view the film. Most modern streaming services (like Netflix and Amazon Prime) now default to Indonesian with English subtitles, and for good reason.
Indonesian dialogue possesses a distinct cadence and rhythm that matches the flow of Pencak Silat—the traditional Indonesian martial art featured in the film. The rapid-fire exchanges, military jargon, and local slang feel organic. Hearing characters speak their native tongue grounds the fictional SWAT team in a believable Jakarta underworld, adding a layer of realism to the high-concept plot. Perfect Soundscape Integration the raid redemption indonesian audio
The Raid: Redemption — A Cinematic Symphony of Indonesian Action and Sound
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When Sony Pictures Worldwide Acquisitions acquired the distribution rights for the film, they made significant changes for Western audiences. The most notable alteration was commissioning and composer Joseph Trapanese to create a brand-new music score. The Raid: Redemption was filmed entirely in Indonesian,
For the best experience watching (2011), most fans and critics recommend the original Indonesian audio track over the English dub. Audio Options & Formats
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While Shinoda’s score is highly energetic and well-regarded by many Western fans, it fundamentally alters the film’s genre dynamics compared to the original Indonesian score by Aria Prayogi and Fajar Yuskemal. The Original Indonesian Score (Prayogi & Yuskemal) The US Alternate Score (Shinoda & Trapanese) Orchestral, Traditional, Minimalist Industrial Electronic, Nu-Metal Infused, Synth-Heavy Atmospheric Goal Dread, Claustrophobia, Grim Realism High Energy, Stylized Action, Hype Impact on Action Accentuates the bone-crunching impact of hits Drives the rhythm like a music video Why the Original Score Triumphs When sourcing The Raid: Redemption with Indonesian audio,
Dialogue in The Raid: Redemption is sparse but crucial. When characters do speak, their tone establishes their identity.
An English-dubbed version exists for international markets. It is frequently criticized by fans for poor voice acting and desynchronized lip-syncing. 2. The Score Controversy
In the English dub, Rama often sounds like a stereotypical action hero—detached and overly calm. In the original audio, Iko Uwais’ performance feels desperate. You can hear the exhaustion in his voice. He isn't an invincible super-soldier; he is a husband and a soon-to-be father who just wants to get home. The fear in his voice during the opening truck scene adds a layer of tension that the dub simply glosses over.
The original Indonesian voice acting carries natural grit, terror, and urgency. Dubbed versions often sound sterile or theatrically exaggerated, pulling the viewer out of the high-stakes realism.